Abstract
Introduction Chapter 1. Avant-Garde and Mass Culture: Mapping the Dialectic Chapter 2. The American Underground as a Cultural Formation: Practices, Institutions, and Ideologies Chapter 3. The 1960s Underground as Political Postmodernism: From the New Sensibility to Cultural Activism Chapter 4. Pop, Queer, or Fascist: The Ambiguity of Mass Culture in Kenneth Anger's Scorpio Rising (1963) Chapter 5. Drag, Rubble, and Secret Flix: Jack Smith's Avant-Garde Against the Lucky-Landlord Empire Chapter 6: The Artist as Advertiser: Stardom, Style, and Commodification in Andy Warhol's Underground Films Conclusions Filmography Bibliography Index
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