Abstract

Numerous projects of the 58th Venice Biennale are dedicated to science-related themes. The Austrian Pavilion addresses questions at the interface between art and philosophy, the Icelandic Pavilion is dedicated to the psychological effects of colours. Videos and installations in the Canadian and Greek Pavilions deal with traditions in historiography. The Research Pavilion focuses on the relationship between art and ecology. Installations and large-scale sculptures in the Central Pavilion and the Arsenale reflect the close collaboration between artists, scientists and engineers.

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