BICULTURAL AESTHETIC INTERFERENCE IN TRANSLATIONS OF KAZAKH POETRY INTO ENGLISH

Abstract

The article is devoted to the problems of poetic interference as a phenomenon of bicultural intermediate aesthetics based on the example of Kazakh poetry, translated into English. Foreign translations of the poems by Kazakh poets act as a factor in the unity of two cultural phenomena and at the same time conjugative aesthetics. Poetic heritage and translations of the poet serve as a factor of bicultural and simultaneously conjugative aesthetics. Translation analysis clearly shows that the creative writings of Kazakh poet are a bright example of not only lingual-cultural but also artistic and aesthetic interferentiality. This is a condition for simultaneous "destruction" of aesthetic integrity of the original and formation of a new one in the translation. We have outlined this phenomenon as conjugative one. Thanks to the introduction into the text of the translation of Kazakh words and symbols, foreign reader often gets first emotional information of communicative, evaluative, abstract synthesis, modal, explanatory nature at the unconscious level, in other words, it focuses on the fact that (identification of common relations with surrounding reality) is common for its perception, and is alien single (about specifics of national picture of the world or fragments (often visual: ornaments, yurts, whip, etc.), and only after that receives the implicit access to the world of content and form of artistic work.