Abstract
This paper explores the nuanced portrayal of female characters in William Shakespeare’s timeless masterpiece, Hamlet. With a focus on Ophelia and Queen Gertrude, often overshadowed by the titular character, the paper employs a multidimensional approach. It navigates historical and cultural contexts, examining the socio-cultural norms of Elizabethan England and the role of women in Shakespearean drama. The in-depth character analyses of Ophelia and Gertrude unveil their agency and constraints, exploring the impact of external forces on Ophelia’s agency and the Queen’s dilemma as both a mother and a queen. The exploration extends to the absence of prominent female characters in Fortinbras’ narrative, the significance of the play within a play, and a comparative analysis of female characters across Shakespeare’s plays. Reception and criticism are surveyed, from early moralistic interpretations to contemporary feminist readings, offering a historical trajectory of evolving perspectives. The paper concludes by summarizing key findings, emphasizing the profound impact of societal constraints on female agency, and suggesting avenues for future research.
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