Abstract
In "Beyond Historical Tragedy" the author compares and discusses Hegel's prescient understanding of the meaning of tragedy and how it differs from Aristotelian or quasi-Aristotelian theories. At the same time, he embarks on a critique of George Steiner's Hegelian reading of Sophocles' Antigone, and of tragedy more generally. He develops the idea that the Critical Theory of the Frankfurt School is closer to a Jewish or Christian perspective than to the tragic perspective - or to Hegel's modern version of the tragic perspective. The contrast is most clear in the way that the idea of fate is negated by Adorno, Horkheimer, Marcuse and Benjamin.
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