Abstract
AbstractThis article analyzes the internationalization of Mozambican music within the “World Music” market during the country’s transitional period from a single-party socialist-led system to a multiparty, liberal one (1987–1994) in relation to the country’s nation-building process. The comparative examination of three cases—Orchestra Marrabenta Star de Moçambique, the song “Baila Maria” by Grupo RM (Amoya), and Real World Records’ albums by Eyuphuro and Ghorwane—shows that the “World Music” market not only served as an escape valve from the country’s lethargic phonographic industry but also emerged as a privileged channel to promote Mozambique’s official musical policy abroad during a crucial civil war-torn period.
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