Abstract
Using a narrative approach, Jill Forshee takes readers into diverse lives, including those of villagers traveling to Bali and tourists visiting Sumba, and follows their adventures along various routes over time. Through personal stories of those involved in the contemporary production and trade of local cloth, a vivid account emerges of the inner workings of a so-called traditional society and its arts responding inventively to decades of international collecting. These stories expand anthropological concepts of the boundaries of regions and the certainties of cultures in ways that are tangible and immediate to the reader. Moreoever, the book illuminates some formerly unexplored conditions of artistic provenance
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