Abstract
This article deals with the aesthetic effects that arise when reading, viewing and handling different media formats. It takes strongly divergent contemporary evaluations of a well-known gothic tale by Walter Scott, »THE TAPESTRIED CHAMBER«, as an opportunity to investigate the medial and material causes of these differences. The author concentrates on the first publication of the tale in autumn 1828 in the opulent annual gift book THE KEEPSAKE FOR MDCCCXXIX, with its numerous steel engravings, and on another early print of the text in the magazine THE OLIO, OR, MUSEUM OF ENTERTAINMENT, with its wood-engraved illustrations. Both prints organise the reading of »THE TAPESTRIED CHAMBER« in specific ways, each setting in motion specific processes of understanding, each stimulating specific aesthetic experiences. This can be traced back in particular to the illustrations placed alongside the prints of the narrative text, to their production, reproduction and presentation in the printed product, to the way in which they are integrated into the flow of reception, which senses of the recipients they address and to which specific forms of media interaction they invite.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
