Abstract

In this introductory article the international context of Beckett research is confronted with that in Poland. Despite continuous interest in Beckett’s work, Polish reception seems to ignore recent achievements in Beckett studies around the world, which results in a rather specifi c interpretation. The need for Polish translation of James Knowlson’s Damned to Fame is stressed as it would certainly deconstruct somehow idealized image of Beckett that dominates in Polish criticism.

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