Abstract
ABSTRACTThis article presents an analysis of the Spanish director José Luis Guerin's “documental ficticio” titled En construcción (2001). In particular, I will examine the filmic representation of urban and architectonic spaces within post-industrial Barcelona, as well as the relationship of space and place to the construction of historical (post)memory in post-Francoist Spain, as “lieux de memoire.” While contemporary Spanish film has tended toward the engagement of Franco's lingering specters, I contend that Guerin's filmic discourse rather focuses on the new totalitarian state imposed by the emergence of social democracy and free-market capitalism in post-Francoist Spain, as inscribed via the urban architecture within Barcelona's public spaces.
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