Automobiles and gender in San Francisco crime films

Abstract

Abstract Throughout American history, cultural norms regarding the behaviour of men and women in public space have extended to their use of transportation, including the automobile. A series of crime films set in San Francisco spanning seven decades are examined in relation to these norms and how this has changed over decades. While Lefebvre observes a potential for art and culture to facilitate social change, these movies largely reinforce stereotypes about men, women and cars.