Abstract
ABSTRACTThis paper presents the concept of autogenous cultural practices as a political form that is neither a subject of state practices, nor a means of resistive anti-state force. Through a study of three participatory art projects carried out by the author, this paper examines how and if autogenous culture can be presented and more importantly effect societal change. These projects were carried out in a governmental disciplinary facility, a local non-governmental organization supporting sex workers and an independent art project with three young women who were graduates of the Normal Technical stream in Singapore respectively.
Full Text 
Sign-in/Register to access full text options
Sign-in/Register to access full text options 
Published version (
Free)
Free) 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a call
