Abstract
By interpreting the aesthetic theory of atmosphere founded by Gernot Boehmer as a background and introducing the theoretical characteristics of dimension and element and emotional tendency, in order to solve the problem of atmosphere as a potential holistic characteristic of space, the design of the Kraus Brothers’ Mountain Chapel in the work of architect Peter Pawnham is used as an example to study the co-location of interior modeling and decoration with material texture and the penetration of spatial environment and light and shadow perception, providing a new perspective for the innovation of interior space decoration design of modern architecture.
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