Abstract

Entertainment and Media industry has enriched human life and is indispensable in contemporary society, in which variety shows play an essential role. In terms of contents and types of variety shows, people are constantly exploring and innovating, creating entertaining programs dealing with topical references. Based on the status quo of Chinese variety-show market, this paper provides insight into successful cases of incorporating Chinese unique characteristics into prevailing shows via innovative modes, in pursuit of both commercial and social values. Mixed research methods, including comparative case study, Semi-structured interview and analysis of existing statistics, are employed to explore this topic. We have four interviewees from distinct fields, which helps us to conduct more comprehensive analysis on the innovation modes applied in both cases--- Sisters Who Make Waves and China Poetry Congress, in view of Schumpeter’s classical definition of innovation. We find that new reassembling of traditional components gives the variety shows a cutting edge, reflected in the application of new technology or the destruction of conventional modes. In fact, the essence of both cultural innovation and mode innovation relies on creative assimilation of original elements. Generally, Chinese variety shows are supposed to enhance the production quality and impacts of platforms through content innovation, mode diversification and giving full play to celebrity benefits.

Highlights

  • Americans cumulatively spend at least 140 billion hours and more than $280 billion on legal forms of entertainment each year, mostly media-dependent

  • This research aims at justifying these two kinds of successful innovation via two cases of prominent original programs with legally strong Intellectual Property (IP) --- Chinese Poetry Congress launched by China Central Television (CCTV) supported by the center government and Sisters Who Make Waves produced by the streaming video platform Mango TV supported by local enterprise

  • Hunan Television or Hunan TV is a provincial satellite TV station. It launched in January 1997 and is currently China's second-most-watched channel, second only to CCTV-1, owned by China Central Television [13]

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Summary

Introduction

Americans cumulatively spend at least 140 billion hours and more than $280 billion on legal forms of entertainment each year, mostly media-dependent. The total global annual spending is approaching one trillion dollars on entertainment [1]. Lasswell took a step further by breaking the process of media communication into five factors: Who, what to say, in Which channel, to Whom, with What effect. His model designs to ensure the orientation of the audience and strive for affecting them. When entertainment and media are combined to make a new phrase, global entertainment and media refer to media commodities produced, distributed, marketed, exhibited, and consumed in many different countries, and which intend to provide viewers with amusement and media conglomerates with profit [4]

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