Artistic Means and Therapeutic Effects in Sri Lankan Healing Rituals

Abstract

Artistic expressions in the realms of mutually integrated sound culture and visual culture count as the essential elements of the traditional healing rituals in Sri Lanka. While music has a key role in the therapeutic process, visual ingredients provide the ritual setting with a glamour that exceeds the day-to-day domestic environment experience. Made for the occasion, a decorated ritual setting is the first sign to publicly announce the event and to create visual excitement. Its main aim is to welcome the invisible supernatural beings responsible for a disease. The sound produced by voices (chants, incantations, blessings, poetry, dialogues) and musical instruments (drums, handbells, hand cymbals, conch shells, anklets) aims to assure participation of community members and to act as a medium of connecting supernatural beings with the human world. Besides the visual and aural stimuli, the main roles in Sri Lankan healing rituals are given to unity thinking ,community caring, and community setup .Lessons learned from traditional healing rituals which integrate music, dance, visual arts, crafts ,and drama for the sake of individual comfort and the community’s wellbeing, have potential to benefit a variety of disciplines with a focus on artistic and/or therapeutic practices and outcomes such as medical and applied ethnomusicology and anthropology, psychomusicology, sociomusicology, visual arts, music therapy, including community music therapy and ethnomusic therapy, dance/movement therapy, psychotherapy, drama therapy, and more. The author’s arguments are expected to contribute to knowledge and understanding of holistic healing practices of Sri Lanka as non-pharmacological treatments marked by mutually interrelated artistic means and therapeutic effects.