Abstract
The article analyzes the condition of art and artistic creation in the context of the development of smart technologies and an advanced computer programs that are used more and more often today in the processes of producing object of art. The author wonders whether in the future the programs and algorithms will allow to cross the limit of seriality and repetitiveness, characteristic for machines’ works of art. The issues of defining art, its intentionality and originality are considered in the situation when the human subject does not stand behind the process of creating art objects. For better distinction, it is proposed to use categories of mass and autonomous art.
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