Abstract
Pulidindi Solomon Raj (1921–2019), born in a tiny village in India, went through a “journey of ascents,” crossing national and denominational boundaries, scaling ministerial pinnacles, and attaining many laurels, all with the help of two little tools—his pen and his paintbrush. He achieved a global reputation for his artwork in diverse media, such as woodcuts, batiks, etchings, and icons; for his many essays presented in academic settings around the world; and for his seminal work on the “small” church movement in Andhra Pradesh and its sequel on indigenous mission.
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