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Abstract
Abstract Photographer David Monahan’s Leaving Dublin serves as a lens for examining the roles played by networks of affect and aesthetics in the contemporary Irish experience of migration. This article explores the series from the perspective of Actor-Network Theory. I will consider how the Internet has changed both experiences of migration and the creation and distribution of art by altering networks of affect. I will also discuss the role contemporary art plays in these networks, serving as a nexus between personal and public experiences of migration.
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