Abstract
The aim of this article is to analyze from the perspective of ethnoliterature the novel Entre visillos (1958) by Carmen Martin Gaite in relation to the Spain’s social and cultural context in the 1950s. The objective of the work consists of studying the feminine and masculine archetypes that the novel projects, in connection with the gender-related models that National-Catholicism promoted at the time. Many of these models are still prevalent in Spain. For her the novel, as it encapsulated the socio-cultural context of the 1950s, had by itself, as a specific literary product, the power of impinging upon and re-constructing that social reality, especially by producing new archetypes of gender on which to offer alternate models of identity.
Highlights
The aim of this article is to analyze from the perspective of ethnoliterature the novel Entre visillos
masculine archetypes that the novel projects
in connection with the gender-related models that National-Catholicism promoted at the time
Summary
El propósito de este artículo es analizar desde una perspectiva etnoliteraria la novela Entre visillos (1958) de Carmen Martín Gaite en relación con el contexto social y cultural de la España de posguerra de los años cincuenta. El objetivo del trabajo consiste en estudiar los arquetipos femeninos y masculinos que se proyectan a través de la novela y su conexión con los modelos de género propuestos por la ideología dominante del nacional-catolicismo, muchos aún vigentes en la sociedad actual. Se trata así de explorar cómo el contexto sociocultural de la época se refleja en la novela y cómo a su vez la propia obra literaria, como producto cultural específico, posee la capacidad de proyectarse sobre esa misma realidad social, contribuyendo así a re-construirla, concretamente a través de la creación de nuevos arquetipos de género que proponen modelos de identidad alternativos.
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