Abstract

Armour is very rarely shown in the non-Islamic art of medieval India after appearing, albeit infrequently, in the Indian art of earlier centuries. Subsequently, the representation of armour would become significantly more common. Nevertheless, there are exceptions, notably on temple carvings and carved vīragal hero or memorial stones from what had been the Hoysaḷa kingdom in the southern Deccan region. This article seeks to interpret these carvings, to identify the reality of the armour shown and to explain its socio-political context. Potential links are drawn between such carved representations and the terminology of armour as used in medieval India. The article concludes by looking at the possible survival of medieval armour technology and styles in the continued use of textile-based armours in southern India into and beyond the early modern era.

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.