Abstract
In this article, I use my experiences in writing about the transnational history of Cursive to point toward ways forward for researchers interested in investigating entangled European broadcasting histories. I will point to places where I found European interconnections in journals, committees, and festivals and consider what the availability of these published and unpublished sources has meant for my inquiries. I will also explain how I used a specific content-management software (Tropy) to ‘hack’ and go beyond the national boundaries encoded in the archival collections I used. Finally, I suggest that perhaps it is not audiovisual material broadcasting archives first and foremost need to make available in digital formats if we want to further boundary-crossing television history; instead, I believe that the possibility of sharing self-digitized printed material should be a particular focus in the future.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
More From: VIEW Journal of European Television History and Culture
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.