Abstract

This paper aims to track the evolution of urban morphology studies, focusing on a graphical understanding of transformation phenomena in historical and contemporary city fabrics. It points out similarities in urban morphology studies by authors like Aldo Rossi, Carlo Oswald W. Ungers, Hans Kollhoff, Saverio Muratori, Gianfranco Caniggia, and Giancarlo de Carlo. These studies developed within a supportive cultural environment, aligning with analogical procedures and anticipating the contemporary concept of urban acupuncture. Urban acupuncture denotes episodic and locally impactful interventions countering grand, self-celebratory architectural projects. These interventions are promoted both by liberal and capitalist culture as well as by socialist-inspired culture. Lastly, these interventions, promoted by various cultural backgrounds, highlight the multi-scale nature of urban morphology studies and urban acupuncture projects. Each change in form corresponds to a morphological adaptation and a redefinition of urban rules and grammar usable in projects with territorial significance. Today, enhanced by digital tools, these studies confirm insights and syntheses, presenting urban acupuncture interventions in real-time socio-economic flows and dynamics.

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