Abstract

SummaryThe appearance on Sardinia during the first half of the fourth millennium of an unprecedented and extraordinary cult edifice in the form of a monumental temple mound – the Red Temple at Monte d'Accoddi – was paralleled across the island by an outpouring of anthropomorphic cult imagery expressed in sculpture, inscription, and reliefs – equally unprecedented and unmatched locally. Based on a deeper reading of Bhabha’s notion of ‘inbetweenness’ it is argued that the contemporary dispersion of diverse anthropomorphic cult gestures coalesced through varied media in what is suggestive of a state of iconographic – and by implication ideological/spiritual – uncertainty, contestation, and ambivalence consistent with a state of inbetweenness – as understood here in Bhabha's sense of a third‐space of relations.

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