Abstract

Contemporary art can be approached as an ego-centered object with a visual expression that starts from a subjective point of view. The self-centered view of human beings is generated by the relationship between the subject and the perceived object. Levinas describes the existence of the self through the relationship with the others, defining the non-intellectual other as an anonymous being. In addition, the self expresses the relationship with the other by recognizing transitive directionality as a responsible subject. Here, the experiential perception of self, a sensory subject, explains that there is a temporal gap in emotion due to instant sensation and sensation. This paper explores the relationship between the self and others in mobile art. In this way, it analyzes existing mobile art based on the theoretical inquiry of Levinas and discusses the limitations of this approach. In order to express the relative possibility of human relations, an AR-based mobile art work entitled Unconscious Parallels is utilized. This is a work involving the disassembling of the self and others from reality and the virtual world and the reconstruction of the relationship between the self and others through the intervention of the viewer. Although AR-based mobile art remains limited in terms of material representation, it can be said that the AR Book as defined here is an attempt to interact with a narrative structure via the fusion of the material and non-material.

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