Abstract
This article explores the literature to identify and describe three general approaches used in the development of research-based theatre scripts: collective, playwright-centred, and composite. Each approach is situated within both conventional and research-based theatre literature. After elucidating each approach, a representative project of each approach is explored in depth. Discussions of the projects, undertaken in 2009 at the University of British Columbia, provide insight into some of the tensions inherent in working in each approach.
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