Abstract

Laura Papo Bohoreta's theater, presented through the analysis of plays of the Sephardic tradition and social dramas, is the central topic of this work. On the one hand, we focus on the process of emancipation of the female characters, on the other, we highlight the need to preserve tradition. Two processes that the author combines in her dramatic work, either through conflicts between generations or through convergences between them. We present some of her texts as an example of her way of considering theater, where we find no gap between the dramatic text and the performance.

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