Abstract
Anker Gemzøe: “The Breakdown of the Apparatus. With Franz Kafka ‘In the Penal Colony’”The article proposes a reading of ‘In the Penal Colony’ (1914), aiming to show how this story, in ways so far unnoticed by Kafka scholarship, represents something decisively new in his work. ‘In the Penal Colony’ introduces a new social motif, afterwards recurrent in Kafka: A cruel, old legal and social formation breaks down and leaves an empty gap and opening to a new situation that could be even worse. My initial reading is expanded by placing the story in biographical, literary and historical contexts. From a point of departure in Kafka’s diaries in 1914, a mapping is suggested of some important instances of specific intertextuality – Octave Mirbeau, Fyodor Dostoevsky and the Passion of the New Testament. Further, the story’s conception of society is – through Oswald Spengler – read into concrete historical contexts. Though in the kafkaesque form of an alienated parable, the story is also a shrewd analysis of the political dilemmas of the intellectual as Kafka saw them at the beginning of the First World War, foreseeing the disintegration of the Austro-Hungarian Empire. Because of Kafka’s specific position in the autumn of 1914, ‘In the Penal Colony’ reflects problems of a wider historical and general significance.
Highlights
I artiklen ““unsere allgemeine und meine besondere Zeit”
Jeg er uenig i denne tolkning og vil fremlægge en anden i nærværende artikel
Takkerne fra et tandhjul viste sig og hævede sig, snart kom hele hjulet til syne, det var som om en eller anden stor magt pressede tegneren sammen så der ikke længere var plads til dette hjul; [...] Men straks steg et andet hjul op deroppe, det blev fulgt af mange andre, store, små og næsten ikke til at skelne fra hinanden, der skete det samme med dem alle, hele tiden troede man, at nu måtte tegneren da efterhånden være tom, så kom en ny, særlig talrig gruppe til syne, steg op, faldt ned, rullede i sandet og lagde sig
Summary
I artiklen ““unsere allgemeine und meine besondere Zeit”. Autobiographie und Zeitgenossenschaft in Kafkas Schreiben”, oprindeligt fra 1983, antager Jost Schillemeit[1] korrekt en ‘cæsur’ i forfatterskabet sidst i 1916.
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