Abstract
The article contains an analysis of Georg Wilhelm Friedrich Hegel’s interpretation of Antigone by Sophocles contained in The Phenomenology of Spirit. The philosopher develops his concept of a tragic conflict occurring in the world of the Greek antiquity – a conflict between man’s law (a state representing generality) and underground law (a family representing individuality). The laws are embodied by Kreon and Antigone, respectively. Hegel’s interpretation indicates the privileged position of Antigone. The author argues that the heroine of the tragedy is the anticipation of modern subjectivity: Antigone is killed because there is no place for an acting woman in ancient ethics. Hegel’s fascination with Antigone as a manifestation of feminine subjectivity therefore undermines stereotypical allegations about the philosopher’s sexism and patriarchalism.
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