Abstract
During the events of May 1968, Jean-Luc Godard (born in Paris on December 3, 1930), an important name of the French movie movement “Nouvelle Vague” (New Wave), began to devote himself to the collective production. Together with the student Jean-Pierre Gorin, he founded the Dziga Vertov group (1968-1972). In this new proposal, the director produces nine essentially political films. Breaking up with the traditional cinema, production companies and movie theaters, from 1968 onwards Godard began to understand this new public, politicized by the conjuncture, no longer just as simple viewers. This paper aims to analyze the practice of the Dziga Vertov group in the film “Un film comme les autres” (A movie like any other – 1968), the first collective creation film made by the Dziga Vertov group.
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