Abstract
Anita Desai’s Clear Light of Day successfully reflects memory and individual experiences in Indian postcolonial culture and features Desai’s talented portrayal of time as both a devourer and a cure. The narration depends on a time circle to present the continual effects of colonialism on individual and social history. In this novel, the women’s position in Indian culture is examined through a changing perspective toward the general assumptions of Indian gender roles. A complicated evaluation of women’s fights for independence inside a man-dominated system is given by Desai with female characters Bim, Tara, and Aunt Mira. Clear Light of Day both serves as a strong narration and also contributes to the wider postcolonial literary field. Desai encourages her readers to think about the complicated characteristics of cultural identity in a postcolonial culture besides the everlasting impacts of colonialism via the unity of personal experiences with more extensive historical and social conditions. This paper aims to reveal Bhabha’s postcolonial theories such as subaltern, hybridity, mimicry, and third space by investigating Desai’s own multicultural background and Indian history after the Partition as well as the effects of time on the individuals through an analysis of thematic perspectives of colonialism.
Published Version
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