Animal Studies in Contemporary British Drama: The Divide between Stef Smith’s Non-Human and Human Animals

Abstract

Scottish playwright Stef Smith’s Human Animals (2016) recounts the fictional story of a government exterminating all animals in London with the pragmatic pursuit of building commercial construction sites on their natural habitats. In line with recent trends of thought, dramatic texts are getting more engaged with different natures of the relationship between human animals and non-human animals. In this context, animal studies posit a focal place in the analysis of Smith’s contemporary play, Human Animals. Animal studies take into account the interconnections between humans and animals, thereby making it possible to problematise the concepts of anthropocentrism and speciesism in works of literature. This study aims to analyse Stef Smith’s Human Animals as an example by using critical animal studies perspectives with an emphasis on the essentialist human-animal divide. In a more specific context, the article reveals the impact of anthropocentrism through a case study that exemplifies humanity’s vicious plans to eradicate all non-human beings for the sake of profit and personal interest. Stef Smith presents different characters which embody disparate viewpoints and exposes the anthropocentric nature of humanity. Smith’s portrayal of a dystopian setting not only aims at criticising anthropocentric line of thought but also exposes humanity’s tendencies towards speciesism.