Abstract

Historically, in the European imagination, India was a place that existed outside of history. The German philosopher G.W.F.Hegel wrote that India-with its psychology, religion, caste-system, and holy men - existed in a dream-like state. However, India, like every other place in the world, has never existed outside of history as an exotic dreamland. It has had itsown complex economic, social and political things going on regardless of whether the West was aware of it. India is a dream of the West. Being a maelstrom of human, social, and spiritual contradictions, India has always attracted many western filmmakers. In order to give a glimpse of its ancient concepts, complex reality and dynamism the contemporary global view of filmmakers on the lifestyle and the diversity of this country has been proposed. Many westernfilmmakers, including those from France, have had a desire to express themselves often with talent.The aim of this research paper is to bring forth their insight into life and culture of India. An analysis of how Westerners have stereotyped Indian concepts or accounted for the profound changes inIndian societyin their films has been done.

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