Analytical Study of Decorative Techniques Used in S̲h̲īs̲h̲ Maḥal, Lahore Fort, Pakistan

Khalifa Ahmed Muiz

doi:10.32350/jaabe.42.03

Abstract

S̲h̲īs̲h̲ Mah͎al, the magnificent and monumental creation of Mughals, still stands like a jewel after hundreds of years. This building characteristically excels in its decoration and is best known for its intricate detailing. The evolution and transformation of decorative arts reached its zenith during the reign of S̲h̲āh Jahan (1628 - 1658), which is known as the era of delicacy and pure light in white. The aim of this paper is to study the decorative arts that excelled during this golden era. In this regard, S̲h̲īs̲h̲ Maḥal, situated at the Lahore Fort, is taken as a case study. Comprehensive documentation of these decorative arts including their design, material and technology developed the baseline inventory for their interpretation and appreciation. The study further explored the transformations and transitions during their refinement in addition to their description in the historical textual data. Keywords: decorative techniques, Pietra-dura, S̲h̲āh Jahan, Mumtaz

Highlights

The Lahore Fort emerged as a Mughals residential paradise along with its defensive characteristics
Various stones were used for this purpose including malachite, jasper, and lapis lazuli
It was found that the fresco paintings were painted during the Sikh period

Summary

Introduction

The Lahore Fort emerged as a Mughals residential paradise along with its defensive characteristics. They constructed different purpose buildings to accommodate their various functions . One of such marvelous addition is Sh̲ īsh̲ Mahal, which is translated as “Mirror Palace”, constructed by Sh̲ āh Jahan between 1631 and 1632. The concept of Mirror Palace is based on the dream of Mumtaz Mahal, the beloved queen of Sh̲ āh Jahan (Latif, 1994). Sh̲ īsh̲ Mahal is placed in the north western corner of the Lahore Fort. The finest quality mirror work reflects the minute detailing of the dream by the queen. Most of the original material is lost with the time but still it displays the glorious Mughal era of excellence

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