Abstract
Written and directed by Yazhe Yang, the Taiwanese film "Blood Goddess" won the Best Feature Film Award at the 54th Taiwan Film Golden Horse Awards. The film tells the story of the heroine, Tang Zhen, who, after experiencing various subversive blows and self-alienation in the fierce battle of politicians under the dark 1980s, eventually transforms into a new generation of ruthless "Mrs. Tang After experiencing various subversive blows and self-alienation, she finally transforms into a new generation of ruthless "Mrs. Tang" and realizes the real subject pursuit. This paper uses French psychoanalyst Jacques Lacan's core theory - mirror theory - to start the analysis, discussing how the protagonist Tang really grows from an "angel" to a "demon" step by step, thus making a deeper understanding of the film.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
