Abstract
AbstractMaterial analysis of Limoges painted enamels was undertaken by using an x‐ray fluorescence spectrometer equipped with a low‐power x‐ray tube, polycapillary x‐ray optics and a silicon drift chamber detector. The spectrometer, which includes helium purging for detecting elements down to sodium, can easily be assembled and dismantled within 1 h. A quantification method for enamel and glass objects was developed and verified using standard materials. The layer arrangement and possible influence on the XRF measurements were especially considered in theoretical calculations. Over 160 painted enamels from the late Renaissance and Revival periods in the 19th century in various collections were investigated. Comparison of the quantitative results from objects which are securely dated and attributed by art historians allowed a more reliable attribution of pieces with doubted authenticity. Copyright © 2004 John Wiley & Sons, Ltd.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
