Abstract

In the Arab Gulf States, migrant workers are perceived as temporary and economic by dominant nationalist narratives that justify restrictive migration policies and exclusive citizenship laws. This article argues that online popular culture productions offer a space for the emergence of counter-narratives that assert the presence of migrants and advocate social change from below. I examine representations of South Asian workers in short comic skits and song videos produced during the last decade by comedians and actors in Saudi Arabia and Bahrain. Focusing on both aesthetic innovation and limitations, my analysis demonstrates how these videos utilize parody and satire to criticize the exclusion of migrant workers. I compare videos produced by Gulf citizens and non-citizens and argue that, even though the producers navigate different boundaries and offer distinct performances, they challenge authority and national boundaries by centralizing spaces of labor and turning them into sites of agency and cultural expression.

Full Text
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