Abstract

Much of the extensive scholarly criticism on The Master and Margarita has focused on Bulgakov's 'cosmology' and how the events of the novel can be seen as a mirror of his world view. In particular, The Master and Margarita is often seen as a literary exposition of a Gnostic outlook. The overwhelming tendency of many studies is to look for a 'key' which can unlock the riddles in the novel and answer some of the more difficult questions pertaining to developments in the plot. This often means that the book is approached from the outside. In contrast, I have tried to look at it from the inside out, and ask how the imagery and symbolism in the book can help answer some of these questions and reveal clues as to Bulgakov's intentions and world view. The fact that much of the symbolism in the book is drawn from Goethe, witchcraft and black magic has been noted — but not that this occult symbolism runs much deeper to include, for example, Masonic and alchemical motifs. As well as exposing this particular layer of symbolism, I have examined how it points to Bulgakov's belief in the importance and need of a spiritual 're-birth' both for individuals and for Russia itself; and that the secret to regeneration lies in the power of such an inner journey.

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