Abstract
Abstract This paper explores the complex portrayal of gender and identity in Cheng Wai-ho’s 2021 science fiction mystery, The Soul. Set in a near-future grappling with RNA-based memory transfer and gender reassignment, the film intertwines technological advancements with social issues like tongqi, marriage trafficking, and transgender representation. Utilizing theories by Prosser, Stryker, and Salamon, the analysis examines how the film depicts transgender characters Wang Shicong and Prosecutor Liang, focusing on their experiences within a system of power dynamics and the exploitation of vulnerable groups. By contrasting the mainland and uncut Netflix versions, the paper delves into the boundaries of Chinese censorship regarding LGBTQ+ themes. This study argues that while The Soul challenges heteronormativity and reveals the complexities of intersectional identities, it also offers opportunities for further critique of its limitations in representation. The film’s contribution to Chinese cinema lies in advancing conversations on gender and sexuality while highlighting the need for social reform.
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