Abstract
The exchange between Qu Qiubai and Lu Xun during 1931–1932 shows their disagreement about which translation strategy might best serve the Chinese language and culture in the early 1930s. They concur that the vernacular (baihua) is in need of a more developed lexicon and syntax, and they see translation as a practice that can advance it. Yet Qu Qiubai criticizes Lu Xun’s 1931 version of Alexander Fadeyev’s novel The Rout because “it is not absolute baihua.” Lu Xun’s remedy for the “sickness” of imprecision that afflicts the vernacular is “to incorporate different kinds of syntax, whether from archaic Chinese or from other regions, other countries, which we can then make our own.” But for Qu Qiubai this view is elitist and therefore ineffectual. Lu Xun retains his belief that a “Frankenstein vernacular,” a mix of vernacular, classical Chinese, and Euro-Japanized constructions, “will thrive because it is of the people and for the people.”
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.