Abstract
The trajectory of translating Pamuk’s literary heritage into more than sixty languages attracts the attention of a number of scholars (e.g. Horta, 2017, EriŞ, 2019). Pamuk’s unique mingling of Eastern and Western cultures makes it significant to scrutinize the dispositions and worldviews of translators. This paper aims at depicting the eco-linguistic cultural plethora of factors that play a role in the translator’s lexico-grammatical decisions. To this end, the English translation of Pamuk’s My Name is Red by Göknar (2001), as well as the Arabic one by Abdulli (2000) are dissected. Lexico-cultural behaviours concomitant to the representation of nature in both target texts are analysed. Results shed light on how eco-translatology can help inform and give insights to modern translation studies.
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