An archaeoacoustic study on shape: the case study of the Iffland Theatre’s history (1802–1817)

Abstract

Previous studies have discussed six pre-Sabine quantifiable guidelines employed in room acoustic design: voice directivity, audience rake, “echo theory”, stage acoustics, reverberation, and length, width, and height ratios. Around the turn of the 18th century, these notions led to two shapes that were theoretically regarded optimal for rooms with acoustical demands: ellipse and semi-circle. The first of these shapes to be tested was the ellipse in the design for the Iffland Theatre (1802–1817). As the resulting acoustics were notoriously poor, contemporary architects and acousticians discussed the grounds for the failed acoustics as well as possible corrections. Multiple subsequent halls were also based on lessons learned from this acoustic failure. As part of this archaeoacoustics research, geometric acoustic numerical simulations were employed to estimate the actual and renovated room acoustic conditions. Three configurations of the hall have been reconstructed. Results show that the hall’s shape led to sound focusing and that the rounded proscenium arch likely induced echoes. Proposed solutions of the time to increase the scattering or absorption appear unlikely to have solved the observed acoustic problems.