Abstract
Born in Ireland, Harry Furniss (1854–1925) was one of the most prolific satirists of the nineteenth century, best known for producing over two thousand illustrations for Punch. Although Furniss frequently sought to distinguish himself from his Irish origins, they proved a constant source of inspiration for his satirical productions in print (and later on stage), as he capitalized on a shifting position as both ‘insider’ and ‘outsider’ to Irish politics and society. This article explores Furniss’ formative years working for Zozimus, a short-lived (and mostly forgotten) illustrated periodical known as ‘The Irish Punch’, revealing both the publication’s domestic significance, and the influence of Irish affairs on Furniss’ long career.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
