Abstract
Purpose. This article is devoted to the consideration of amplification as an expressive means of stylistic syntax in the texts of the German Romantics of the 19th century. The author aims to describe various types of enumeration as the main means of amplification, taking into account the nature of the rhythmic expressiveness of a simple sentence and to reveal the entire stylistic potential of enumerative series.
 Methods or methodology of the work. The basis of the research is formed by the continuous sampling method in the selection of practical material as well as the method of descriptive linguo-stylistic analysis.
 Results. The analysis showed that amplification is a significant means of enhancing the emotional effectiveness of the language of romantic poets. By nominative and verbal enumeration, the effect of monotony, despondency, pressure, elevation, joy and hope is achieved. A special rhythmization of the sentence is created due to the enumerative intonation and rhythm. Along with a certain syntactic uniformity and consistency, there is a dismemberment of a homogeneous enumerative series, which creates a special kind of rhythmic expressiveness.
 Practical implications. The results of the research can be used at the lessons of Stylistics of the German Language, Text Interpretation, in seminars on the study of features of the language of German poetry.
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