Abstract
Pourquoi y a-t-il relativement peu de documentaires sur l'histoire ouvrière américaine, et tant de difficultés de distribution et de financement ? L'étude de six documentaires récents montre que l'intérêt de ces films dépend de la coopération active des ouvriers interviewés ; le documentaliste ne parvient à l'obtenir que si les ouvriers se sentent impliqués dans un projet militant visant à changer l'ordre social.
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