Ambedkar and the cinema of reconstitution

Abstract

ABSTRACT The article analyzes an interview with Ambedkar, published in Filmindia, in 1942 as an insightful deliberation on the idea of decolonial cinema. The singularity of the interview derives from its anti-caste premise, occasioning the enunciation of the intersectional operations of caste in cinema as much as its being the only document in English (so far) that records Ambedkar’s views on the modern medium. His concept of cinema as corrective marks a significant shift in the way early cinema was perceived in pre-independent India. Contrary to the restorative function attributed to the modern medium during the time, Ambedkar found in it a potential for reconstitution. Cinema, according to him, held the possibility of reimagining a conceptual space that was taken over by Brahminical religion in India. Elaborating on four aspects of cinema in particular—its potential to reconstitute a liberating culture of joy in the place of an ensnaring culture of asceticism, its capacity for social reform, the exigency of narrative justice in the depiction of Dalits, and the fashioning of modern spectatorship, Ambedkar describes cinema’s possibility of conceptualizing an anti-caste, decolonial space.