Abstract

In the last few decades, scenarios have provided a way of analysing the implications of alternative futures, especially as they might be impacted by new technologies. This has been no less true of ambient intelligence (AmI), which may be embedded everywhere in the not so distant future. Most of the scenarios developed by AmI enthusiasts have been rather ‘sunny’, showing how the new technologies promise to make our lives more efficient, enjoyable, productive, enriching. A European project, called Safeguards in a World of Ambient Intelligence (SWAMI), deliberately developed ‘dark scenarios’ to highlight the threats to privacy, identity, trust, security and inclusiveness posed by the new technologies. The SWAMI consortium also developed a methodological structure for deconstructing and analysing the dark scenarios. This paper takes that approach a step further by applying it to a cultural artefact, partly to test the validity, utility, applicability of the SWAMI methodology to a scenario not constructed by the consortium and partly to show how some cultural artefacts can be regarded as scenarios in their own right as well as warnings about future technologies. The cultural artefact chosen here was the Steven Spielberg film Minority Report, because it features so many AmI technologies and draws attention to the issues that have been the focus of the SWAMI project.

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