Alternative Books in black and white: race and homoeroticism in South African male nude photography from the apartheid period

Abstract

ABSTRACT Representations of black-white homoeroticism and sensuality between men of colour in apartheid-era male nude photography aimed at white gay men, which, in South Africa, were exclusive to selected titles published by Alternative Books (AB) (1981–1991), are remarkable yet neglected in queer African studies. In this article, I explore how sexual apartheid was respectively maintained and transgressed in the historical reception of such photographs by two radically different readerships: that is, by censors involved in proscribing homoerotic commodities, and by AB’s intended audiences. Drawing from historical censorship reports on AB’s titles, I propose that the inconsistent treatment of photographs from these publications according to the racial categories of the men depicted is a particularly revealing iteration of selective homophobia and ‘official’ perceptions of homosexuality during apartheid. Considering, then, that AB’s titles anticipated a historical minority readership comprised of queer insiders rather than homophobic outsiders, I make the case for a corrective by ‘outing’ the queer and anti-racist potential of such diverse homoerotic images, which rendered intelligible possibilities for intimacy repressed elsewhere in consumer markets that catered to predominantly white gay audiences and that were, in a sense, complicit with the state’s whitewashing of male homosexual identity and desire.