Abstract
In this paper; the artistic objects/works made by the artist/researcher have been reconsidered in terms of the sustainability of the art and the artwork, and the possibilities of alteration and transformation have been examined. The ceramic works produced personally in previous years have been subjected to formal and conceptual alterations, the processes have been analyzed and reported, and a method using artistic and practiced research methods has been determined. Another focus of this paper is to discuss the relationship the ceramic material establishes with the art object opposing the physical and conceptual transformation and with its artist.What is recommended and experienced in this article is, examining what perspectives this practice can create as a working method for both artists and artists/academics.
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