Abstract

In the article I shall, on the example of the European poet and translator Alojz Gradnik (1882–1967), shed light on the impact of multiculturalism, multilingualism and ideological dichotomy on literary production and literary reception. Gradnik himself was in fact multicultural and multilingual, which was, however, unacceptable in his lifetime due to the specific social and political context. Gradnik thus gave up the multicultural and multilingual dimension. But due to this very element that he had denied himself, he was split within himself, which was reflected in his literary production; that is, in his poetry as well as in his translations of literary works. On the other hand, the image of Gradnik as a multicultural and multilingual author was exploited by the European totalitarianisms, therefore Gradnik as an author suffered a paradoxical fate.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.