Abstract

ABSTRACT This afterword frames the articles in this special issue on crisis brokers by returning to and discussing the rise of interest in both brokers (and intermediaries) and crisis during the past decade in cultural studies and cognate disciplines. More specifically, it argues that the broker is best approached as a methodological starting point for considering how crisis is negotiated, mediated, and shaped in practice across space and time between different actors. Crisis broker as method thus highlights methodological positioning as an entry-point for revealing key dynamics and new modes of conceptualization.

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